Recorder

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One movement of a dance suite from the baroque period.
  2. One fast movement of a sonata from the baroque period.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 14 minutes

NATIONAL FINAL

  1. A work with orchestra (one movement or a group of movements).

Maximum time: 10 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One movement of a dance suite from the baroque period.
  2. One fast movement of a sonata from the baroque period.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 14 minutes

NATIONAL FINAL

  1. A work with orchestra (one movement or a group of movements).

Maximum time: 10 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One movement of a dance suite from the baroque period.
  2. One fast movement of a sonata from the baroque period.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 17 minutes

NATIONAL FINAL

  1. A work with orchestra (one movement or a group of movements).

Maximum time: 12 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One movement of a dance suite from the baroque period.
  2. One fast movement of a sonata from the baroque period.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 17 minutes

NATIONAL FINAL

  1. A work with orchestra (one movement or a group of movements).

Maximum time: 12 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One movement of a dance suite from the baroque period.
  2. Two contrasting movements of a sonata from the baroque period.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 20 minutes

NATIONAL FINAL

  1. A work with orchestra (a minimum of two movements).

Maximum time: 15 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. A minimum of two movements of a dance suite from the baroque period.
  2. Two contrasting movements of a sonata from the 18th century.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 23 minutes

NATIONAL FINAL

  1. A work with orchestra (a minimum of two movements).

Maximum time: 15 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. A minimum of two movements of a dance suite from the baroque period.
  2. Two contrasting movements of a sonata from the 18th century.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 23 minutes

NATIONAL FINAL

  1. A work with orchestra (a minimum of two movements)

Maximum time: 15 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. A minimum of two movements from a partita, a sonata or a fantasy by Telemann.
  2. One sonata from the 18th century (other composer than Telemann).
  3. One work or a group of movements or one movement of your choice.

Maximum time: 25 minutes

NATIONAL FINAL

  1. A work with orchestra (a minimum of two movements).

Maximum time: 20 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 7 and 15 years old must include in their program pieces that are varied in their keys and affects.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. A minimum of two movements from a partita, a sonata or a fantasy by Telemann.
  2. One sonata from the 18th century (other composer than Telemann).
  3. One work or a group of movements or one movement of your choice.

Maximum time: 25 minutes

NATIONAL FINAL

  1. A work with orchestra (a minimum of two movements).

Maximum time: 20 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 16 and 25 years old must include in their program pieces that are varied in their keys and affects, from composers of various nationalities.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. Four contrasting movements from a French suite from the 18th century.
  2. One sonata from the 17th century.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 30 minutes

NATIONAL FINAL

  1. A work with orchestra.

Maximum time: 20 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 16 and 25 years old must include in their program pieces that are varied in their keys and affects, from composers of various nationalities.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. Four contrasting movements from a French suite from the 18th century.
  2. One sonata from the 17th century.
  3. One work or a group of movements or one movement of your choice.

Maximum time: 30 minutes

NATIONAL FINAL

  1. A work with orchestra.

Maximum time: 20 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 16 and 25 years old must include in their program pieces that are varied in their keys and affects, from composers of various nationalities.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One Theme and Variations by Jacob van Eyck.
  2. A minimum of two contrasting movements from a sonata by Handel.
  3. One work from the French repertoire from the 18th century.
  4. One contemporary work or a group of movements or one movement of your choice.

Maximum time: 37 minutes

NATIONAL FINAL

  1. A work with orchestra.
  2. A work or a group of movements or one movement of your choice (with or without orchestra).

Maximum time: 25 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 16 and 25 years old must include in their program pieces that are varied in their keys and affects, from composers of various nationalities.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One Theme and Variations by Jacob van Eyck.
  2. A minimum of two contrasting movements from a sonata by Handel.
  3. One work from the French repertoire from the 18th century.
  4. One contemporary work or a group of movements or one movement of your choice.

Maximum time: 37 minutes

NATIONAL FINAL

  1. A work with orchestra.
  2. A work or a group of movements or one movement of your choice (with or without orchestra).

Maximum time: 25 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 16 and 25 years old must include in their program pieces that are varied in their keys and affects, from composers of various nationalities.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. A sonata by J.S. Bach.
  2. An Italian sonata from the 17th century.
  3. One work from the French repertoire from the 18th century.
  4. One contemporary work or a group of movements or one movement of your choice.

Maximum time: 40 minutes

NATIONAL FINAL

  1. A work with orchestra.
  2. A work or a group of movements or one movement of your choice (with or without orchestra).

Maximum time: 25 minutes

GENERAL DIRECTIVES

Candidates registered for any Recorder category between 16 and 25 years old must include in their program pieces that are varied in their keys and affects, from composers of various nationalities.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One sonata from the 17th century.
  2. One sonata or suite from the 18th century.
  3. The partita for solo flute by J.S. Bach (with the first repeats of each movement only).
  4. One contemporary work or a group of movements or one movement of your choice.

Maximum time: 55 minutes

NATIONAL FINAL

  1. A work with orchestra.
  2. A work of your choice or a group of pieces or movements from one or different composers (with or without orchestra).

No time limit

PARTNERS