GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Both the pedal and lever harps are allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by Pozzoli, Grossi, Naderman, Salzedo (“Pathfinder to the Harp”), Rodney, Sharman, Campen or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 14 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 12 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Both the pedal and lever harps are allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by Pozzoli, Grossi, Naderman, Salzedo (“Pathfinder to the Harp”), Boscha, Damase or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 14 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 12 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Both the pedal and lever harps are allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by Grossi, Pozzoli, Boscha, Naderman, Salzedo, Damase or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 20 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 15 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Only the pedal harp is allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by Grossi, Pozzoli, Boscha, Naderman, Salzedo, Damase or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 20 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 20 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Only the pedal harp is allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by Pozzoli, Bochsa, Damase or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 20 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 20 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Only the pedal harp is allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 20 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 20 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Only the pedal harp is allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 25 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 25 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Only the pedal harp is allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 25 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 25 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Only the pedal harp is allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
- Two works from different periods and styles or a group of movements or one movement for each work.
Maximum time: 25 minutes
NATIONAL FINAL
- A work with orchestra (one movement or a group of movements).
Maximum time: 25 minutes
GENERAL DIRECTIVES
The musical program for the two rounds must include works from different periods and styles.
Only the pedal harp is allowed.
Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.
NATIONAL AUDITION
- One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
- Two works from different periods and styles.
Maximum time: 35 minutes
NATIONAL FINAL
- A work with orchestra.
No time limit