Harp

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Both the pedal and lever harps are allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by Pozzoli, Grossi, Naderman, Salzedo (“Pathfinder to the Harp”), Rodney, Sharman, Campen or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 14 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 12 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Both the pedal and lever harps are allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by Pozzoli, Grossi, Naderman, Salzedo (“Pathfinder to the Harp”), Boscha, Damase or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 14 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 12 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Both the pedal and lever harps are allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by Grossi, Pozzoli, Boscha, Naderman, Salzedo, Damase or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 20 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 15 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Only the pedal harp is allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by Grossi, Pozzoli, Boscha, Naderman, Salzedo, Damase or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 20 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 20 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Only the pedal harp is allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by Pozzoli, Bochsa, Damase or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 20 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 20 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Only the pedal harp is allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 20 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 20 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Only the pedal harp is allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 25 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 25 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Only the pedal harp is allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 25 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 25 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Only the pedal harp is allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
  2. Two works from different periods and styles or a group of movements or one movement for each work.

Maximum time: 25 minutes

NATIONAL FINAL

  1. One work with orchestra or one movement or a group of movements.

Maximum time: 25 minutes

GENERAL DIRECTIVES

The musical program for the two rounds must include works from different periods and styles.

Only the pedal harp is allowed.

Notice: Your repertoire list must comply with the “Repertoire Guidelines“, as specified in the rules.

NATIONAL AUDITION

  1. One etude by J.S. Bach (transcription of Grandjany), Dizi, Renié, Schmidt, Bochsa or the equivalent.
  2. Two works from different periods and styles.

Maximum time: 35 minutes

NATIONAL FINAL

  1. One work with orchestra.

No time limit

PARTNERS